Spirals in the Caribbean

"A masterful and compelling work of scholarship . . . illuminating the Afro-indigenous struggle for freedom that unites the island’s history."—French Studies

"Students of Haitian-Dominican relations will be thrilled by the ease with which Sophie Maríñez crosses languages and borders, and moves among media and genres, to bundle topics and sources as diverse as the musical, lyrical, and style innovations of Dominican rock pioneer, Luis (‘Terror’) Días, the aesthetics and philosophy of Haitian Spiralist authors René Philoctète and Frankétienne, diverse historiographic and literary figurations of the martyred Taíno cacica, Anacaona, and border-crossing folklore and vodou symbolism. A heady and richly detailed portrait of an island crisscrossed with intense human and cultural exchanges, Spirals in the Caribbean will trigger fruitful conversations among feminist, decolonial, and anti-racist scholars in a range of humanities fields."—Samuel Martinez, University of Connecticut

"Spirals in the Caribbean draws together analyses of artistic production, pedagogical nationalism, and popular narratives into the same frame, unspooling tight knots of Dominican national mythologies, such as sanitized narratives of early indigenous history or an 1805 massacre that never happened, in the process. One of the remarkable achievements of the book is its energetic reconstruction of the islandwide literary production about African and indigenous liberation practices. Spirals in the Caribbean meditates, returns, and expands on these connections, demonstrating not only how expansive and deep these shared traditions are but how they repeatedly transcend racist violence, from the colonial period to the present day."—Anne Eller, Yale University

"With Spirals in the Caribbean, Sophie Maríñez has crafted an eloquent and wide-ranging exploration of Haitian Spiralism, grounded resolutely in the space of the Americas writ large. Maríñez’s tracing of the spiral aesthetic across both the fraught border of Hispaniola and the boundaries of academic disciplines offers a stunning multilingual and transnational approach to multiple cultural forms. The exciting constellation of questions and propositions Maríñez presents will richly inform the overlapping fields of inquiry this book so provocatively engages."—Kaiama Glover, Yale University

"This deeply historicist treatment of Haitian-Dominican relations offers an important riposte to the oft-reiterated statist narrative of enmity between these two countries by revealing a far more complex and entangled view of the island than most previous accounts. Maríñez to her credit includes important Haitian literature and history neglected by most scholars of the Dominican Republic, delving deeply into both Haitian and Dominican works. She also chronicles popular resistance to state projects such as the protests against Christopher Columbus’ five hundredth anniversary homage by the Balaguer regime and the teardown of Columbus’ statue in Haiti in 1986. Drawing upon a wide-ranging archive including history, archaeology, popular religion, music, and literature, this tour de force offers a compelling and important cultural history of cross-island articulations that should resonate widely with literary scholars and historians of Haiti, the Dominican Republic, and the Caribbean writ large and will change how scholars characterize Haitian-Dominican relations."—Lauren Derby, University of California, Los Angeles

"Maríñez’s penetrating, probing analysis of violence not only illustrates the enlightening result of applying the Spiral to important, timely topics but stands as a worthy homage to Frankétienne and the spiralist movement."—Jason Herbeck, French Forum

"Maríñez delves deeply into key figures and moments and shows how they evolve and repeat over time, reflecting changing political contexts. . . . One of the most original and important works of scholarship in recent Caribbean studies scholarship."—Maja Horn, Small Axe Salon