The Essential DürerUniversity of Pennsylvania Press
312 Pages, 6.00 x 9.00 in, 88 illus.
- Published: July 2011
- Published: November 2011
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Albrecht Dürer (1471-1528), perhaps the most famous of all German artists, embodies the modern ideal of the Renaissance man—he was a remarkable painter, printmaker, draftsman, designer, theoretician, and even a poet. More is known about his thoughts and his life than about any other Northern European master of his time, since he wrote extensively about himself, his family's history, his travels, and his friends. His woodcuts and engravings were avidly collected and copied across Europe, and they quickly established his reputation as a master. Praised in life and elegized in death by such thinkers as Martin Luther and Erasmus, he served Emperor Maximilian and other leading church and secular princes in the Holy Roman Empire.
Although there is a vast specialized literature on the Nuremberg master, The Essential Dürer fills the need for a foundational book that covers the major aspects of his career. The essays included in this book, written by leading scholars from the United States and Germany, provide an accessible, up-to-date examination of Dürer's art and person as well as his posthumous fame. The essays address an array of topics, from separate and detailed studies of his paintings, drawings, printmaking, and sculpture, to broader concerns such as his visits to and interactions with Venice and the Netherlands, his personal relationships, and his relationships with other artists. Collectively these stimulating essays explore the brilliance of Dürer's creativity and the impact he had on his world, exposing him as an artist fully engaged with the tumultuous intellectual and religious challenges of his time.
List of Illustrations
List of Abbreviations
1 Dürer—Man, Media, and Myths
2 Dürer's Drawings
—Christiane Andersson and Larry Silver
3 Dürer and the High Art of Printmaking
4. Dürer as Painter
—Katherine Crawford Luber
5 Dürer and Sculpture
—Jeffrey Chipps Smith
6 Dürer and Venice
7 The Artist, His Horse, a Print, and Its Audience: Producing and Viewing the
—Ideal in Dürer's Knight, Death, and the Devil (1513)
—Pia F. Cuneo
8 Civic Courtship: Albrecht Dürer, the Saxon Duke, and the Emperor
9 Dürer and the Netherlands: Patterns of Exchange and Mutual Admiration
10 Agony in the Garden: Dürer's "Crisis of the Image"
—Donald A. McColl
11 Albrecht Dürer between Agnes Frey and Willibald Pirckheimer
12 Impossible Distance: Past and Present in the Study of Dürer and Grünewald
List of Contributors
"Provides a new and comprehensive introduction to Dürer's art, life, and times. Written throughout in a lucid yet scholarly style, it is deservedly destined to feature prominently on syllabi throughout the English-speaking world."—Burlington Magazine